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Ann Dowd
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Ann speaks about her character in Season 2
In The Handmaid’s Tale, Dowd’s brutal and morally-suspect matron, Aunt Lydia, trains young, fertile women to bear children. The adaptation of Margaret Atwood’s novel (of the same name) centres around the aftermath of the second American Civil War resulting in a dystopian and severely religious society rebirthed as Gilead. Fertility rates are at an all-time low and procreation is the need of the hour.
From the very first episode, Dowd’s character gives the audience some of the most chilling scenes: whether it is assisting in the rape of her charges or supervising the bloody murder of a criminal. Aunt Lydia’s twisted and unwavering faith in Gilead’s government is frightening to the bone. “[She] is not just some mean old hag who likes to use the cane, she has deep beliefs and love for these girls,” says Dowd. “The scenes I’ve loved the most are the ones in which you see her commitment to what she signed up for: the contradiction in her, realising that she loves and cares for them.”
Because of her critically-acclaimed performance, Dowd’s character will become a priority in the show’s second season which premières in late April. “We will get more insight into who she is, because you will see her in different circumstances,” says Dowd, who was told by showrunner Bruce Miller that Aunt Lydia was a teacher in her prior life (before Gilead was formed). Educated by nuns, the actor drew inspiration from this to tap into her character’s dichotomy. “The nuns did have very strong beliefs about the Catholic Church, and the fact you were not special didn’t mean you could opt out of what you were responsible for. So it was a little pulling from here and pulling from there, to remind myself that [Aunt Lydia] is a complicated person: if she does not get through to them, she firmly believes that, ‘This is what is required of you and if you don’t learn this you’re not going to survive’.”
March 23, 2018 / The Hindu
From the very first episode, Dowd’s character gives the audience some of the most chilling scenes: whether it is assisting in the rape of her charges or supervising the bloody murder of a criminal. Aunt Lydia’s twisted and unwavering faith in Gilead’s government is frightening to the bone. “[She] is not just some mean old hag who likes to use the cane, she has deep beliefs and love for these girls,” says Dowd. “The scenes I’ve loved the most are the ones in which you see her commitment to what she signed up for: the contradiction in her, realising that she loves and cares for them.”
Because of her critically-acclaimed performance, Dowd’s character will become a priority in the show’s second season which premières in late April. “We will get more insight into who she is, because you will see her in different circumstances,” says Dowd, who was told by showrunner Bruce Miller that Aunt Lydia was a teacher in her prior life (before Gilead was formed). Educated by nuns, the actor drew inspiration from this to tap into her character’s dichotomy. “The nuns did have very strong beliefs about the Catholic Church, and the fact you were not special didn’t mean you could opt out of what you were responsible for. So it was a little pulling from here and pulling from there, to remind myself that [Aunt Lydia] is a complicated person: if she does not get through to them, she firmly believes that, ‘This is what is required of you and if you don’t learn this you’re not going to survive’.”
March 23, 2018 / The Hindu
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Ann dives into "Being Lydia"
Being Lydia
Ann Dowd as Lydia In The Handmaid’s Tale
The Telegraph / India
Ann Dowd is the fierce Lydia in the Handmaid’s Tale
Priyanka Roy Mar 26, 2018 00:00 ISTAnn Dowd as Lydia In The Handmaid’s Tale
Playing a strict disciplinarian is not new to Ann Dowd. The 62-year-old actress successfully played the steely doomsday cult leader Patti Levin in The Leftovers. However, it’s as the no-nonsense Aunt Lydia — who disciplines the handmaids into bearing children for the heads of an autocratic theocracy — in The Handmaid’s Tale (airs every Monday at 10pm on AXN) that Dowd has shown her mettle as an actor, even bagging an Emmy Award for Best Supporting Actress last year. t2 chatted with Dowd on being Lydia.
Did you read The Handmaid’s Tale by Margaret Atwood before you landed the part of Lydia?
Yes, I did many, many times. I first read it in the ’80s and was very struck by it then. As soon as I read the screenplay, I understood that (show-runner) Bruce Miller had exactly understood where it was coming from and it was a great pleasure for me to join the show.
Yes, I did many, many times. I first read it in the ’80s and was very struck by it then. As soon as I read the screenplay, I understood that (show-runner) Bruce Miller had exactly understood where it was coming from and it was a great pleasure for me to join the show.
So what was your reaction when you were asked to play Lydia?
I was very taken with the book and while reading the script, I felt I could understand Lydia… play her without judgement. I think she’s very complicated and she raises the question of how does one become this individual with such a way of looking at the world. I was very interested in her and the writing was very, very good. I was very excited to join in.
While playing Lydia, have you been repelled or fascinated or has it been a mix of both?
It is a mixture of both. She believes that in order for these girls (called the ‘Handmaids’ who are forced into child-bearing servitude) to have a successful life or survive at all in Gilead (the theonomic military dictatorship in which they live), these severe measures have to be taken. If they didn’t comply, they wouldn’t survive. She’s a deeply religious person. She believes these girls lost their way before Gilead… they had sex before marriage, got pregnant and aborted their children or some left their marriages midway… all reasons that Lydia believes will lead to the downfall of the world. Then we see in the first season that she actually gets attached to these girls. She keeps a watchful eye on those who are particularly fragile. She looks around at the opulence in Gilead and says, ‘Wait a minute, this is not what I signed up for’. She’s a humble person and she lives in a dorm room, for god’s sake! She wants to keep it simple, unlike the others in Gilead.
I was very taken with the book and while reading the script, I felt I could understand Lydia… play her without judgement. I think she’s very complicated and she raises the question of how does one become this individual with such a way of looking at the world. I was very interested in her and the writing was very, very good. I was very excited to join in.
While playing Lydia, have you been repelled or fascinated or has it been a mix of both?
It is a mixture of both. She believes that in order for these girls (called the ‘Handmaids’ who are forced into child-bearing servitude) to have a successful life or survive at all in Gilead (the theonomic military dictatorship in which they live), these severe measures have to be taken. If they didn’t comply, they wouldn’t survive. She’s a deeply religious person. She believes these girls lost their way before Gilead… they had sex before marriage, got pregnant and aborted their children or some left their marriages midway… all reasons that Lydia believes will lead to the downfall of the world. Then we see in the first season that she actually gets attached to these girls. She keeps a watchful eye on those who are particularly fragile. She looks around at the opulence in Gilead and says, ‘Wait a minute, this is not what I signed up for’. She’s a humble person and she lives in a dorm room, for god’s sake! She wants to keep it simple, unlike the others in Gilead.
How do you play complex characters like Lydia or Patti, your character in The Leftovers, and not face the danger of losing yourself?
It all comes down to the writing. Both these characters are written very well. They are both kept consistent. And for an actor, that’s the joy, isn’t it? To be able to play any role. When I think of Lydia, I am reminded of my years growing up in catholic schools. Not that they did anything remotely cruel as Lydia… not at all! (Laughs) But there was a sense of work ethic and no one was made to feel more special than the other. As a kid, I felt that what my teachers were sometimes doing was the meanest thing on earth, but now I realise that everything was being done to prepare me to live a good life. If you can take the core of that and apply it to Lydia, then somewhere, within me, I can connect to that.
The same goes for Patti Levin. She was a woman who was told all her life that she’s stupid and suddenly she’s thrust into a position of power after a large population of the earth disappears inexplicably. I could relate to that character and could imagine what her life must be like. I find both women interesting, compelling and complex.
It all comes down to the writing. Both these characters are written very well. They are both kept consistent. And for an actor, that’s the joy, isn’t it? To be able to play any role. When I think of Lydia, I am reminded of my years growing up in catholic schools. Not that they did anything remotely cruel as Lydia… not at all! (Laughs) But there was a sense of work ethic and no one was made to feel more special than the other. As a kid, I felt that what my teachers were sometimes doing was the meanest thing on earth, but now I realise that everything was being done to prepare me to live a good life. If you can take the core of that and apply it to Lydia, then somewhere, within me, I can connect to that.
The same goes for Patti Levin. She was a woman who was told all her life that she’s stupid and suddenly she’s thrust into a position of power after a large population of the earth disappears inexplicably. I could relate to that character and could imagine what her life must be like. I find both women interesting, compelling and complex.
How special was it winning an Emmy Award last year for playing Lydia?
Honestly, I don’t think I will ever get over it! (Laughs) It was one of the most extraordinary moments of my life. It’s the kind of moment where everything in your life comes together. I was happy enough to be nominated and suddenly, my name was announced and it was just unbelievable… very beautiful. I won’t ever get over the shock of it… oh my goodness… I don’t know what the words are! (Laughs)
Honestly, I don’t think I will ever get over it! (Laughs) It was one of the most extraordinary moments of my life. It’s the kind of moment where everything in your life comes together. I was happy enough to be nominated and suddenly, my name was announced and it was just unbelievable… very beautiful. I won’t ever get over the shock of it… oh my goodness… I don’t know what the words are! (Laughs)
Women, specifically those above a certain age, are getting better roles to play in films and on television…
Yes, that’s right. There are many more opportunities, many more stories out there. What everyone’s realised is that women are interesting and have interesting stories to tell! (Laughs) I think it’s a wonderful time.
Yes, that’s right. There are many more opportunities, many more stories out there. What everyone’s realised is that women are interesting and have interesting stories to tell! (Laughs) I think it’s a wonderful time.
Besides Lydia and Patti, which other character of yours is close to your heart?
I loved playing Aloysius in the play Doubt. Also, I like some of the roles I’ve played in short plays… there are so many, so many.
I loved playing Aloysius in the play Doubt. Also, I like some of the roles I’ve played in short plays… there are so many, so many.
The Telegraph / India
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